Last year I worked on an Anti Childhood Obesity Campaign directed by David Stuart. The campaign has received a lot of press for being in your face, unapologetic, and heart wrenching. The Toady Show featured the campaign (view commercials here) and conducted … Continue reading
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NPR All Things Considered Controversy Swirls Around Harsh Anti-Obesity Ads January 9, 2012 Stark billboards and television commercials that feature overweight kids are part of a controversial anti-obesity campaign in Atlanta. The goal of the “Stop Sugarcoating It, Georgia” ads … Continue reading
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Recent wardrobe + prop work for Batter Blaster project shot by Scott Lowden was featured in Communication Arts Exhibit.
In 1948, British-born David Ogilvy, started a Manhattan-based advertising agency, the future Ogilvy & Mather, responsible for some of the world’s most iconic ad campaigns. Ogilvy wrote Confessions of an Advertising Man in 1963, a best-selling book that is still considered essential reading for all who enter the industry.
In the letter below, Ogilvy describes his work habits as a copywriter to Mr. Ray Calt. Apparently, the key to his advertising genius was RUM!!!
April 19, 1955
Dear Mr. Calt:
On March 22nd you wrote to me asking for some notes on my work habits as a copywriter. They are appalling, as you are about to see:
1. I have never written an advertisement in the office. Too many interruptions. I do all my writing at home.
2. I spend a long time studying the precedents. I look at every advertisement which has appeared for competing products during the past 20 years.
3. I am helpless without research material—and the more “motivational” the better.
4. I write out a definition of the problem and a statement of the purpose which I wish the campaign to achieve. Then I go no further until the statement and its principles have been accepted by the client.
5. Before actually writing the copy, I write down every concievable fact and selling idea. Then I get them organized and relate them to research and the copy platform.
6. Then I write the headline. As a matter of fact I try to write 20 alternative headlines for every advertisement. And I never select the final headline without asking the opinion of other people in the agency. In some cases I seek the help of the research department and get them to do a split-run on a battery of headlines.
7. At this point I can no longer postpone the actual copy. So I go home and sit down at my desk. I find myself entirely without ideas. I get bad-tempered. If my wife comes into the room I growl at her. (This has gotten worse since I gave up smoking.)
8. I am terrified of producing a lousy advertisement. This causes me to throw away the first 20 attempts.
9. If all else fails, I drink half a bottle of rum and play a Handel oratorio on the gramophone. This generally produces an uncontrollable gush of copy.
10. The next morning I get up early and edit the gush.
11. Then I take the train to New York and my secretary types a draft. (I cannot type, which is very inconvenient.)
12. I am a lousy copywriter, but I am a good editor. So I go to work editing my own draft. After four or five editing, it looks good enough to show to the client. If the client changes the copy, I get angry—because I took a lot of trouble writing it, and what I wrote I wrote on purpose.
Altogether it is a slow and laborious business. I understand that some copywriters have much greater facility.
(Source: Letters of Note: I am a lousy copywriter. The Unpublished David Ogilvy: A Selection of His Writings from the Files of His Partners; Image: David Ogilvy, courtesy of Ads of the World.)
this is a post from holly thompson’s blog about the Aruba Tourism campaign shot by scott lowden. i did wardrobe and props on this one. tough day at the office!